暂无剧情简介

A nightclub waiter and a manicurist share the same room, he sleeps there by night and she by day. They meet by chance, not knowing who's who, and fall in love.

Four young people, Bastien, Théo, Jeanne, and Han, meet in a Chinese restaurant. Jeanne talks a lot, especially about herself. Han, a young Chinese immigrant, is still looking for a place to sleep, but doesn't let on. The two boys size each other up and observe the girls.

暂无英文版的简介，请添加内容帮助我们完善数据库。

暂无剧情简介

暂无剧情简介

Catherine possède un immeuble à logements dont Gilles est l'un des locataires. Par eux et autour d'eux s'expriment les problèmes quotidiens que rencontre l'ensemble des locataires. Par exemple, ce couple dans la quarantaine peu porté sur la communication ou cette mère qui n'a jamais accepté le divorce de sa fille. Mais il y a aussi des moments heureux et drôles qui ravivent la joie de vivre et remontent le moral de cette grande «famille».

Ivan Mosjoukine plays a heroic soldier to the despotic Caliph who becomes disillusioned with his treatment of the slaves in his kingdom and fights to free them. Similar to plot lines in previous Wolkof-Mosjoukine collaborations the difference with this film is that it was produced in 1932 and therefore has synchronised dialogue, something of a challenge to the film-makers since Mosjoukine, one of the biggest silent stars, spoke very little French and even when learning lines phonetically had a marked Russian accent. In Sergent X this issue was elided by casting him as an immigrant, learning the language as the picture progressed. However, whilst this worked well as a one off, it couldn't be done on every film. So in his second talkie Mosjoukine's character appears as a somewhat exotic outsider, a man of action and few words. During his initial escape from the Caliph, he dives off a cliff into the sea and is rescued by a young fisherman, who becomes his compatriot – and gets to do some of Mosjoukine's talking for him. The court of the Caliph also gets a great deal of the dialogue and there's a surprising musical number midway through the action. Interestingly Mosjoukine's real life wife Nathalie Lissenko appears as his love interest in this, and like her husband speaks relatively little. The film plays like an old fashioned English pantomime, with exaggerated villains and fawning underlings very much in the Chu Chin Chow mould. It's pleasant, expensive, occasionally exciting, with dazzling bejewelled costumes by Boris Blintsky and must've seemed completely irrelevant in a period when Renoir, Clare, and Pagnol were rapidly approaching their best work. Mosjoukine, is still very effective in his scenes, and particularly so in a climactic duel to the death with the Caliph. When he does speak, his voice is resonant and authoritative. However since there's so much for the film to show – with a musical number, scenes of slave auctions and villainous plotting from the Caliph, Mosjoukine is quite often off screen. This film was released in an original French version and also a dubbed and slightly re-shot English version... (from thomas-hamilton65@imdb)

暂无英文版的简介，请添加内容帮助我们完善数据库。

Eric, a 14-year-old boy, is now almost alone. His mother, faced with her husband's bizarre behavior, left the marital home. Eric's father, for his part, leads a triple existence. On the other hand, he maintains apparently normal relations with his son, but at the same time he leads an unacknowledged, secret life "elsewhere", where confused, equivocal relations bind him to a strange, elusive woman, whose vision sometimes inspires feelings of filial love, sometimes reveals to him the bitter taste of a passion faded by time.